It was an unusually warm and springlike November Sunday. I spent a couple of hours absorbing the view from, and drawing from Goose Creek Bridge today. The land is mostly umber, sienna, and ochre, crunchy looking ground and bare trees. Lots of possibility.
A visual journal of paintings, drawings and artistic process by Marci A.M. Nadler (All photos and artwork are copyrighted, not for use without permission of the artist)
Sunday, November 27, 2011
Friday, November 18, 2011
photographing older works
Starting to sift through some older work... wondering, to sell or not to sell, to show, or not to show:
"meditation"
self-portrait bending over to fit in the mirror
John, Muse & Cat
Tuesday, November 8, 2011
ipadding
More from the Ipad!
I have to admit, I'm hooked, now. There's a sense of freedom when you don't have to worry about ruining a sheet of paper with your ink. One touch, the line is gone...one touch, a shade is painted... but the surface... still thinking about the final result sometimes. This surface will be printed flat...no history in the paper. More like a xerox than a drawing or painting. Just thoughts.
Monday, November 7, 2011
Sunday, November 6, 2011
Friday, November 4, 2011
Thursday, November 3, 2011
Wednesday, November 2, 2011
Trees and walls, drawings vs Ipad renderings
Above is a detailed charcoal drawing of a tree, finished today. I've looked at this tree many times over the past three years, wanting to do a painting of it. I hope to start the painting tomorrow.
Below is an earlier phase of the drawing.
Above is a photo of an Ipad "Paint" rendering of the same tree, done with my finger. Just starting to learn the ups and downs of the this tool.
Below is an earlier comparison sketch of a wall on the farm The black and white is a photo of an Ipad rendering, and the sepia drawing is done with a home-made feather quill and ink. The jury is still out on the Ipad for drawing, in my opinion, but it's starting to win me over. It's very convenient: small, easily transported, and very neat (no charcoal smudges on the clothes and face, and no ink spills, etc.)
We'll see.
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