nasturtiums

nasturtiums
oil painting

Tuesday, March 8, 2011

finishing...almost

Clare and Clark - done! I think.





Ignoring strong urges to start new paintings, I worked on "finishing" a few pieces

The tulips are almost finished




The invasive plants painting is close to complete, but I have to wait for the oil paint to dry 
before tackling it again. And the nasturtium painting which I said was complete earlier is really done.







Monday, March 7, 2011

tulips

I had to paint the a bouquet of tulips before they started to fade. I'll have to look at the painting again tomorrow... it's almost done. 


beginning




close to final

more "on the way to the bus stop" photos

Hopefully, I'll have some paintings ready to post this afternoon. Meanwhile, some morning photos:


The new puddle



Morning shadows



Snow on the mountains



A sign of lingering winter



Friday, March 4, 2011

more drawings: trees and Goose Creek

The first is a drawing of a tree that had a very pronounced, wizened face in it's trunk for two years, jutting out above a distinct profile of another, less weathered-looking face. Last year the wizened face looked as though it was crying sap. This year, that face is almost obliterated by a gnarly growth. I'll try to find earlier drawings that show the face. I miss him.




This one shows a section of Goose Creek. There's a small tree that hangs over the creek in a very unlikely way, almost horizontal, as if it's hanging onto the bank for dear life.




A tree was uprooted in the last high wind storm, and floated down the creek to a bank where it now pools the water and gathers floating sticks, grasses and other debris. I explain this one in detail because I'm not sure whether anyone but myself would know what it is from the drawing. It seemed as though the trunk was gathering little bits of itself that had gotten torn off along the way.



And finally, with a very cold derriere from sitting on damp, cold stone, I tried one last, fast gesture of the landscape.

drawings: landscape, black vultures and eviscerated racoon

I saw bloody ribs sticking out of a partially devoured racoon, and a lushly painted Soutine of a flayed ox came to mind, along with the art history tidbit that he kept the carcass of the ox in his room, dousing it with blood from the butcher as he painted it to keep it "fresh". His neighbors complained of the stench. 

Rembrandt's luminous and painterly treatment of that subject gave it an iconic edge. I think both of those works were painted in relative privacy. I'm sometimes self-conscious drawing and painting outside, in public view, and felt especially so while set up in front of a carcass and vultures. But, like flowers in various stages of growth and decay, the subject matter struck me as engaging and paintworthy. When I draw or paint, self-consciousness of being in public view disappears as I focus on the matter at hand.









Thursday, March 3, 2011

10 Sky photos March 3, 2011 7:30 a.m. VA

Ephemeral sky art!

I took these photos this morning, right after I dropped the girls at the bus stop. The sky was filled with contrails, some older and more diffuse and some still in progress. There there was a bit of rainbow on each side of the rising sun, like earrings.











Wednesday, March 2, 2011

Invasive species, global warming, and the germ of the painting in the morning shower

This is the painting I began the other day when I posted lengthy, rambling thoughts about inspiration.
It is not finished yet, but I thought it was at a postable point.

The initial inspiration for this painting was a photo on my husband's blog, for an article on "Climate Change and Invasives." (See http://www.theresilientworld.com/?page=3 ) The photo shows invasive vines engulfing part of the Cook Islands. That led me to thinking of our children and their future, and was the germ of this painting.

Eight stages: